Issue 14.1

FALL, 2021

Image credit: Willis Barnstone

Fiction

Caroline Kim: A Hair
Caroline Kim: Self Defense

Interview

Ryan Wilson: “Singing a New Song”: A Conversation with Rock-n-Roll Hall-of-Famer, DION

Meringoff Prize Winners

Poetry

Brian Brodeur: Corn Poppets
Brian Brodeur: Barcode Ode
Brian Brodeur: Space Junk

Fiction

Anca Nemoianu: Truffles and Grapes

Non-Fiction

Oliver Spivey: “The Secret Rhythm of Chance”: The Nabokovian Vision of Tragedy in Pale Fire

A Garland for Willis Barnstone

Aliki Barnstone: Willis Barnstone’s The Secret Reader: A Tour de Force Kept Secret Too Long

Robert Barnstone: Narrative Forest

Robert Barnstone: Narrative Interventions

Tony Barnstone: My Father, Lighthouse Keeper and Priest of the Holy Typewriter

Tony Barnstone: My Father Dancing

Willis Barnstone: Animals Begin on the Porch in Days and Nights of Dark War

Willis Barnstone: Paintings of Poets and Magic Couplets

Willis Barnstone: Three Translations from Charles Baudelaire

Geoffrey Brock: The Secret Reader

Lois Connor: Photographs of Willis Barnstone & Sarah Handler

Maxine Hong Kingston: Dear Diary, dear Willis

Yusef Komunyakaa: On Willis Barnstone

Stanley Moss: Celebration for Willis

Daniel Tobin: Now

Brian Turner: The Poet

Sholeh Wolpé: ABC of Willis Barnstone

Artificial Intelligence-Generated Poetry from a Dataset of Willis Barnstone’s Sonnets (Programmed and Collated by Bilal Shaw & Tony Barnstone): All This Occurred in Palestine

Artificial Intelligence-Generated Poetry from a Dataset of Willis Barnstone’s Sonnets (Programmed and Collated by Bilal Shaw & Tony Barnstone): Life on Mars

Interview

Maurya Simon: Time Sits High on a Throne of Calcium: An Interview with Robert Mezey (pt. 1)

Criticism

Michael Autrey: The Novel Is All That Is the Case

Brian Brodeur: Bidart’s Silences

Dwight Lindley: Light and Darkness in Dickens

Julia Mueller: George R. Stewart Balancing the Scales

Nick Norwood: On Poetry’s Pure Serene

Daniel Tobin: The Gravities of Heaven

Joshua Williams: Pain Management: A Review of John Foy’s No One Leaves the World Unhurt

Poems

Derrick Austin: Pierrot’s Face

John Wall Barger: Trained Bears

John Wall Barger: I Saw Two Beat Poets at an Elks Club with a Girl in My English Class

Lory Bedikian: Syllabics for My Mother

Bruce Bond: Labyrint

James Brookes: Silvius Bonus, Jobbing Psephologist

James Brookes: Silvius Bonus, Accidental Edgelord

Brian Culhane: Recorso

Rachel Hadas: Harvest and Tide

Rachel Hadas: The Labyrinth, the Septic Tank

Jonathan Locke Hart: Ode in Hunan

Samuel Hazo: No Option But One

Ernest Hilbert: Mineral Springs Trail

Ashley Sojin Kim: Whitman in the Ward at Chatham

Quincy Lehr: Okay Boomer

April Lindner: Pretty Boy

Jesse Nathan: Swing Song

Richard Newman: Your Mother Sleeping, I Hold You Up to the Dawn

Jane Satterfield: Discarded Books at Flood Tide

Alexis Sears: For My Father: A Sonnet Redoublé

Alexis Sears: September

Robert B. Shaw: Leonardo’s Vitruvian Man

Felicity Sheehy: Great Blue Heron

Will Toedtman: Homecoming

D. S. Waldman: Overbrook

D. S. Waldman: Lightly a God, If He Wished

Translations

John Poch: Connecticut (from the Italian of Pietro Federico)

John Poch: Kentucky (from the Italian of Pietro Federico)

Mary Jo Salter: Anton Van Dyck (from the French of Marcel Proust)

Mary Jo Salter: Chopin (from the French of Marcel Proust)

Mary Jo Salter: For Madeleine Lemaire (from the French of Marcel Proust)

HOT ROCKS FEATURE

I.

Emily Grace: “Give Me Both Burdens”: An Interview with Stephen Cushman About the Place of the “Poet-Scholar”

Stephen Cushman: Granny Was an Angelfish

Stephen Cushman: Three Sisters, Los Angeles

Stephen Cushman: Pavilion for Washing Away Thoughts

Stephen Cushman: Spitting Distance

Stephen Cushman: Dealey Plaza, November Again

II.

Victor Strandberg: Robert Penn Warren and Democracy

Clare Byrne: A New Deal for All the King’s Men

Gordon Van Ness: James Dickey, Existentialism, and “The thousand variations of one song”

Fletcher Bonin: On William L. Andrews’ Slavery and Class in the American South: A Generation of Slave Narrative Testimony, 1840-1865

III.

Amanda Auerbach: Poems and Reflections on Poems